Music-Music Theory (MUS_THRY)
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منابع مشابه
Anthropological Study of Folk Music in Gilan Province in Iran (Instrumental Music)
Ethno-musicology is an academic field encompassing various approaches to the study of music that emphasize its cultural, social, material, cognitive, biological, and other dimensions or contexts instead of its isolated ‘sound’ component or any particular repertoire. The term ‘Ethno-musicology’ became common in1950, although the emergence of the field can be traced back to the late nineteenth ce...
متن کاملThe Relationship between Socio-Economic Status and Music Consumption among the Youth in Tehran
This research studies the relationship between socio-economic status and music consumption among the youth. The socio-economic indexes include prestige, power and property from Max Weber's Theory. This survey covers a researcher-made questionnaire along with 200 young ones between 15-35 years of age living in Tehran (areas: Elahieh, Jourdan, Apadana, Enghlab, Kianshahr, Ra-ahan). Nine hypothese...
متن کاملEffect of Light and Music on Growth Performance and Survival Rate of Goldfish (Carassius auratus)
Environmental enrichment is one of the methods for improving fish growth performance. In the present trial, the effects of both light color and music on growth performance and survival of goldfish (Carassius auratus) (initial mean weight: 4.15±0.08 g) were investigated for 2 months. Two light color treatments (red light and white light) and three music treatments (M0: without music, M30:30 min...
متن کاملبررسی تأثیر 3 نوع موسیقی بر عملکرد حافظه کاری دانشجویان علوم پزشکی شهر تهران
Introduction: Cognitive ergonomics is a branch of ergonomics science that investigates the impact of environmental conditions on subjective and objective individual performance. Music is known as an effective environmental factor on human performance. The aim of present study is to examine the effect of three different types of music tempo. Method: In this study, students were randomly divided...
متن کاملموسیقی از نظر سنایی
Abstract Despite the existence of long-standing ties between poetry and music, Sanāyi, the famous poet of the sixth century, was a serious opponent unlike many other poets. He overtly blamed music as erotic art and composed poems blaming music. The author describes Sanāyi’s opinion about music in this paper and explores the terms of his disagreement. In the meantime, social backgrounds of his...
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